During six seasons as a Boston Celtics assistant coach, Allen would occasionally break out the proof that he did the Shammgod before Shammgod himself made it big. But the truth is more complicated than that. ![]() The Shammgod is actually Jerome’s, Eskin would say. Since then, countless basketball fans have done likewise, struck by the combination of creativity, skill and guts needed to execute the sleight-of-hand trick at top speed.Īs the move became more and more famous in the years to come, emerging as a piece of basketball folklore, Eskin would try to set the record straight. Whenever the tape showed Allen’s move, they would break out screaming. They watched it over and over, marveling at the way Jerome “Pooh” Allen befuddled his defender in a Team USA scrimmage vs. In a Germantown, Penn., basement, years before Shammgod unleashed the move in the 1997 NCAA tournament, Spike Eskin and his friends would pop in a tape showing a different player using the same ballhandling maneuver. But what if you were told of a debate between two East Coast cities about the dribble’s birth? What if you learned another hooper shares a claim to the move’s history, one whose role in its genesis has rarely been talked about over the decades? He’s long been credited with both its creation and popularization. ![]() It’s named after God Shammgod, the legendary Brooklyn dribbler whose cultural impact on the sport reaches far beyond this single trick of the basketball. The 100th time you see it is no less thrilling than the first. It’s a moment that jolts anyone watching to attention. In another, the ball has seemingly teleported, as if controlled through supernatural ability, but instead with the utmost precision dictated from the player in control. ![]() In one moment the ballhandler is moving with comforting familiarity, crossing over like millions have before.
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